No Substitute for the Real Thing? Physical and Digital Cultural Participation in Denmark During the COVID-19 Pandemic

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Standard

No Substitute for the Real Thing? Physical and Digital Cultural Participation in Denmark During the COVID-19 Pandemic. / Blaabæk, Ea Hoppe; Jæger, Mads Meier.

I: Acta Sociologica, Bind 67, Nr. 1, 2024, s. 20-31.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Blaabæk, EH & Jæger, MM 2024, 'No Substitute for the Real Thing? Physical and Digital Cultural Participation in Denmark During the COVID-19 Pandemic', Acta Sociologica, bind 67, nr. 1, s. 20-31. https://doi.org/10.1177/00016993231203077

APA

Blaabæk, E. H., & Jæger, M. M. (2024). No Substitute for the Real Thing? Physical and Digital Cultural Participation in Denmark During the COVID-19 Pandemic. Acta Sociologica, 67(1), 20-31. https://doi.org/10.1177/00016993231203077

Vancouver

Blaabæk EH, Jæger MM. No Substitute for the Real Thing? Physical and Digital Cultural Participation in Denmark During the COVID-19 Pandemic. Acta Sociologica. 2024;67(1):20-31. https://doi.org/10.1177/00016993231203077

Author

Blaabæk, Ea Hoppe ; Jæger, Mads Meier. / No Substitute for the Real Thing? Physical and Digital Cultural Participation in Denmark During the COVID-19 Pandemic. I: Acta Sociologica. 2024 ; Bind 67, Nr. 1. s. 20-31.

Bibtex

@article{91776fbd6c284bbd9fed5aed45e97c6c,
title = "No Substitute for the Real Thing?: Physical and Digital Cultural Participation in Denmark During the COVID-19 Pandemic",
abstract = "In this research note, we analyze the impact of the COVID-19 pandemic on cultural participation. We use rich survey data from Denmark to construct pooled time-series cross-sectional data for each month of the years 2019–2021 and report three findings. First, participation in physical cultural activities (e.g. attending a concert or a museum) plummeted during two lockdowns and did not return to its pre-pandemic level by the end of 2021. Second, participation in digital activities (e.g. reading a digital book or following a museum on social media) did not change much during the pandemic. Overall, we find little evidence of substitution from physical to digital cultural participation during the COVID-19 lockdown in Denmark. Third, socioeconomic gradients in cultural participation decreased during the pandemic for physical cultural participation, but did not change for digital cultural participation. We end by discussing what we can learn from our results about how social disruptions affect patterns of cultural participation and inequality.",
author = "Blaab{\ae}k, {Ea Hoppe} and J{\ae}ger, {Mads Meier}",
year = "2024",
doi = "10.1177/00016993231203077",
language = "Dansk",
volume = "67",
pages = "20--31",
journal = "Acta Sociologica",
issn = "0001-6993",
publisher = "SAGE Publications",
number = "1",

}

RIS

TY - JOUR

T1 - No Substitute for the Real Thing?

T2 - Physical and Digital Cultural Participation in Denmark During the COVID-19 Pandemic

AU - Blaabæk, Ea Hoppe

AU - Jæger, Mads Meier

PY - 2024

Y1 - 2024

N2 - In this research note, we analyze the impact of the COVID-19 pandemic on cultural participation. We use rich survey data from Denmark to construct pooled time-series cross-sectional data for each month of the years 2019–2021 and report three findings. First, participation in physical cultural activities (e.g. attending a concert or a museum) plummeted during two lockdowns and did not return to its pre-pandemic level by the end of 2021. Second, participation in digital activities (e.g. reading a digital book or following a museum on social media) did not change much during the pandemic. Overall, we find little evidence of substitution from physical to digital cultural participation during the COVID-19 lockdown in Denmark. Third, socioeconomic gradients in cultural participation decreased during the pandemic for physical cultural participation, but did not change for digital cultural participation. We end by discussing what we can learn from our results about how social disruptions affect patterns of cultural participation and inequality.

AB - In this research note, we analyze the impact of the COVID-19 pandemic on cultural participation. We use rich survey data from Denmark to construct pooled time-series cross-sectional data for each month of the years 2019–2021 and report three findings. First, participation in physical cultural activities (e.g. attending a concert or a museum) plummeted during two lockdowns and did not return to its pre-pandemic level by the end of 2021. Second, participation in digital activities (e.g. reading a digital book or following a museum on social media) did not change much during the pandemic. Overall, we find little evidence of substitution from physical to digital cultural participation during the COVID-19 lockdown in Denmark. Third, socioeconomic gradients in cultural participation decreased during the pandemic for physical cultural participation, but did not change for digital cultural participation. We end by discussing what we can learn from our results about how social disruptions affect patterns of cultural participation and inequality.

U2 - 10.1177/00016993231203077

DO - 10.1177/00016993231203077

M3 - Tidsskriftartikel

VL - 67

SP - 20

EP - 31

JO - Acta Sociologica

JF - Acta Sociologica

SN - 0001-6993

IS - 1

ER -

ID: 376294787