This paper defends the concept of ‘fetishism’ as an explanatory parameter in sociological theorizing on Durkheimian grounds, while at the same time paying due attention to important insights regarding the role of objects in social life,
originating from Actor-Network Theory (ANT). It critically assesses the current critique of the concept of fetishism propagated by ANT protagonist Bruno. Latour and suggests a compromise between these two ‘schools’. First, to place the paper firmly in context, I analyse some examples of modern fetishism and outline the themes of the ensuing discussion. Next, I turn to Durkheim, seeking to develop a distinct interpretation of the concept of the social and of fetishism, and then point to some of Durkheim’s shortcomings and attempt to make room for Latourian perspectives. Finally, I critically assess Latour’s dismissal of forms of social ‘explanation’ and of the concept of fetishism.