On the Aging of Objects: Ornament and Crime

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Standard

On the Aging of Objects : Ornament and Crime. / Andersen, Bjørn Schiermer.

I: Theory, Culture & Society, Bind 33, Nr. 4, 2016, s. 127-150.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Andersen, BS 2016, 'On the Aging of Objects: Ornament and Crime', Theory, Culture & Society, bind 33, nr. 4, s. 127-150. https://doi.org/10.1177/0263276415598625

APA

Andersen, B. S. (2016). On the Aging of Objects: Ornament and Crime. Theory, Culture & Society, 33(4), 127-150. https://doi.org/10.1177/0263276415598625

Vancouver

Andersen BS. On the Aging of Objects: Ornament and Crime. Theory, Culture & Society. 2016;33(4):127-150. https://doi.org/10.1177/0263276415598625

Author

Andersen, Bjørn Schiermer. / On the Aging of Objects : Ornament and Crime. I: Theory, Culture & Society. 2016 ; Bind 33, Nr. 4. s. 127-150.

Bibtex

@article{7410f516a84941b084fc8e511b4dbf22,
title = "On the Aging of Objects: Ornament and Crime",
abstract = "The article seeks to develop a new conceptual framework suitable for analysing the ageing processes of objects in modern culture. The basic intuition is that object experience cannot be analysed separately from collective participation. The article focuses on the question of the {\textquoteleft}timeless{\textquoteright} nature of modernist design and seeks to understand why modernist objects age more slowly than other objects. First, inspired by the late Durkheim{\textquoteright}s account of symbolism, I turn to the experiential effects of collective embeddedness. Second, I enter the field of architectural practices and architectural theory. Visiting early modernist ideologue Adolf Loos, I seek to understand the modernist attitude as a direct response to experiences of the acceleration of ageing processes characteristic of modern culture. I then try to show how Loos{\textquoteright}s explicit awareness of the collective dimension is ignored by the subsequent modernist movement and by architectural theory. Finally, I try to assess the consequences of this neglect.",
author = "Andersen, {Bj{\o}rn Schiermer}",
year = "2016",
doi = "10.1177/0263276415598625",
language = "English",
volume = "33",
pages = "127--150",
journal = "Theory, Culture and Society",
issn = "0263-2764",
publisher = "Sage Journals",
number = "4",

}

RIS

TY - JOUR

T1 - On the Aging of Objects

T2 - Ornament and Crime

AU - Andersen, Bjørn Schiermer

PY - 2016

Y1 - 2016

N2 - The article seeks to develop a new conceptual framework suitable for analysing the ageing processes of objects in modern culture. The basic intuition is that object experience cannot be analysed separately from collective participation. The article focuses on the question of the ‘timeless’ nature of modernist design and seeks to understand why modernist objects age more slowly than other objects. First, inspired by the late Durkheim’s account of symbolism, I turn to the experiential effects of collective embeddedness. Second, I enter the field of architectural practices and architectural theory. Visiting early modernist ideologue Adolf Loos, I seek to understand the modernist attitude as a direct response to experiences of the acceleration of ageing processes characteristic of modern culture. I then try to show how Loos’s explicit awareness of the collective dimension is ignored by the subsequent modernist movement and by architectural theory. Finally, I try to assess the consequences of this neglect.

AB - The article seeks to develop a new conceptual framework suitable for analysing the ageing processes of objects in modern culture. The basic intuition is that object experience cannot be analysed separately from collective participation. The article focuses on the question of the ‘timeless’ nature of modernist design and seeks to understand why modernist objects age more slowly than other objects. First, inspired by the late Durkheim’s account of symbolism, I turn to the experiential effects of collective embeddedness. Second, I enter the field of architectural practices and architectural theory. Visiting early modernist ideologue Adolf Loos, I seek to understand the modernist attitude as a direct response to experiences of the acceleration of ageing processes characteristic of modern culture. I then try to show how Loos’s explicit awareness of the collective dimension is ignored by the subsequent modernist movement and by architectural theory. Finally, I try to assess the consequences of this neglect.

U2 - 10.1177/0263276415598625

DO - 10.1177/0263276415598625

M3 - Journal article

VL - 33

SP - 127

EP - 150

JO - Theory, Culture and Society

JF - Theory, Culture and Society

SN - 0263-2764

IS - 4

ER -

ID: 132903314